Anon

"Nearly half way through 2018, it would be hard to say that there is a more pressing horror at play in the world today than realising just what Mark Zuckerberg and his techbro ilk hath wrought. It is no wonder then that Hollywood, ever helpful, is now taking it upon itself to predict what the consequences of such follies might look like."

"Anon lacks identity and arrives at the finish line in a desiccated, cerebral, unsatisfying style."

"I had high hopes for Anon – based mostly on fond memories of Gattaca – but it feels terribly undercooked and first draft-ish."

"While the film's central concept is, if hardly groundbreaking, at least somewhat compelling, [director Andrew] Niccol is so determined to evoke noir in his storytelling that any twists and turns can be seen from miles away."

"Entertaining and intriguing - even if it provokes privacy concerns."

"Niccol’s paranoid anxieties about the totalitarian dangers of cyberspace feel oddly glib and dated, light on thrills or narrative logic."

"More potent as a cautionary tale than future noir, Anon's digital dystopia certainly gets a Like, even if it doesn't quite warrant a Share."