Jean-Luc Godard

In this Jean-Luc Godard feature, The Rolling Stones rehearse their latest song, "Sympathy For the Devil," in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard captures on film.

Jean-Luc Godard feature following the sexual and professional lives of three people—a television director, his ex-girlfriend, and a sex worker.

Jean-Luc Godard teams with screen icon Brigitte Bardot in this chronicle of a disintegrating marriage, set against the backdrop of a movie production.

During the 1982 Cannes Film Festival, Wim Wenders asks a number of global film directors to, one at a time, go into a hotel room, turn on the camera and answer a simple question: "What is the future of cinema?"

A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.

Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Jean-Luc Godard's "symphony in three movements." Things such as a Mediterranean cruise, numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday... Our Europe.

French New Wave film from Oscar winner Jean-Luc Godard that captures a day in the life of a Parisian housewife/prostitute (Marina Vlady).

Follows the fraught relationship between Angela (career muse Anna Karina), an exotic dancer, and her boyfriend Émile (Jean-Claude Brialy). This is Jean-Luc Godard's second feature after his New Wave breakthrough hit, Breathless.

Government agent Lemmy Caution (Eddie Constantine) is dispatched on a secret mission to Alphaville, a dystopian metropolis in a distant corner of the galaxy in Jean-Luc Godard's 1965 sci-fi mystery.

Jean-Luc Godard re-imagines the gangster genre with this romantic and melancholy crime drama starring Anna Karina, a bona fide classic of the 1960s French New Wave movement. Two restless young men (Sami Frey and Claude Brasseur) enlist the object of their desire (Anna Karina) to help them commit a robbery - in her own home. 

Jean-Luc Godard's innovative and hugely influential first film, what would become one of the seminal works of the French New Wave. Paying homage to the energy of American gangster B-movies of the 1940s, Godard took his plotline from a news item, supplied by contemporary François Truffaut, in which a cop-killer was harboured by his girlfriend and casually betrayed for the reward money.

French New Wave grandmaster Jean-Luc Godard brings this hyper, 3D, digital video commentary on relationships, language and the possibilities of the image. Says The Times: "Visually, it is the most daring film in competition [at Cannes 2014] - not bad for an enfant terrible aged 83."

Jean-Luc Godard road-trip drama, his tenth feature. Dissatisfied in marriage and life, Ferdinand (Jean-Paul Belmondo) takes to the road with the babysitter, his ex-lover Marianne (Anna Karina), and leaves the bourgeoisie behind.